Looking back at John Carpenter’s “They Live”
By Brendan Nagle Like so much of director John Carpenter’s work since 1978’s “Halloween,” “They Live” performed meagerly at the box office. Yet it has managed to …
By Brendan Nagle Like so much of director John Carpenter’s work since 1978’s “Halloween,” “They Live” performed meagerly at the box office. Yet it has managed to …
By Dylan Greer The flowers had faded by the time I made it to the front desk. They started life as plain brown seeds and have returned …
By Samuel Woods I have been hesitant to review whiskey for The Bottom Shelf. There’s a trope of whiskey being the drink of choice for journalists, likely …
By Audrey Gutierrez Already, “Little Fire Everywhere,” Celeste Ng’s new novel, has a TV deal with producers/actresses Kerry Washington and Reese Witherspoon, is several prominent book clubs’ pick …
By Natalie Rich “Every time a black woman gets angry, she’s a stereotype.” So says Melinda to her court-appointed anger management counselor. Melinda Gayle, played by a …
By Alannah Balfour The Gender Symposium Art Show filled Stamm Hall between March 7 and 9. Following past Symposia models, co-curators Sylvia Eisenbeis ’18, Claire Lyman ’18 and …
By Brendan Nagle As far as consistency goes, not many ’90s bands can rival Superchunk. Most of their contemporaries called it quits years ago, and of the ones …
By Chris Breen Welcome to Wine on a Dime! This weekly column is all about wine, specifically wine that is cheap and delicious, because what else could one …
By Dylan Greer The best view of the lake at St. Mark’s was in the chapel on the third floor through the stained glass window gifted to …
By Drew Matlovsky Oh man, it’s good to have Rae Sremmurd back. It is an understatement to say modern hip-hop is a crowded market. It is saturated with …
By Lani Felicitas It’s best to engage rather than just reject (and boycott),” Fazal Sheikh said during his lecture at the Portland Art Museum, reflecting on the artist’s …
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